New Zealand Wine Fair

I had the opportunity to attend the New Zealand Wine Fair this past Monday at City Winery in New York.  I am no expert on New Zealand wines.  I have tasted many examples of Sauvignon Blanc for which they are most known.  I knew little, however, of other varieties, vineyard areas, or trends in wine making.  I still am no expert but I do know more.  That alone would make the event a success in my book.  Getting  to try a lot of nice wines and meet some interesting and informative wine makers made it a real winner.

In brief, New Zealand is a nation of islands in the Southern Pacific.  The two major islands are the North and South Islands.  Most of the wine regions have what is called a maritime climate, cool and a bit on the wet side.  The Central Otago district on the southern end of the South Island has a more continental climate (i.e., dry hot summers and cooler wetter winters).  For more information, here is a link to the web site for the New Zealand Wine Growers: http://www.nzwine.com/

I tasted around 35 wines and there was only one I didn’t care for.  Even then, I can’t say it was a bad wine, just not my taste.  Rather than go through each of the wines here I will pick out the wines I most enjoyed.  Be aware that I started tasting white wines and by the time I got to the reds I felt my palate was more than a bit exhausted.  So the shortage of reds on the list has more to do with me than the quality of the red wines available.

The first wine that impressed me was a Chardonnay from Babich wines, their Hawkes Bay 2010.  The wine was cold fermented in steel so it did not have the big oaky buttery flavors made popular by California and Australian Chardonnays.  It had plenty of fruit flavors but a nice balance of acidity and some mineral flavor at the end.  The suggested retail price of around $14 makes it a real buy.

From there I moved on to the table for Forrest Wines.  The entire range I tasted was very good and I am sorry I didn’t get back to taste their desert wine.  The suggested price range of from around $17 to $28 was very reasonable.

They had two Sauvignon Blanc’s The Forrest Sauvignon Blanc, Marlborough, 2010 had all of the bright fruit flavors that are typical of a New Zealand Sauvignon Blanc but there was more subtly as well as a nice balance of minerals.  It felt softer in the mouth than I expected and it had a nice long finish.

The Forrest The Doctor’s Sauvignon Blanc, Marlboro, 2011 was a very interesting wine.  The alcohol content had been kept down to 9.5%.  While a while ago a white wine at 9.5% would have been common, they have become almost an endangered species these days.  The wine was lighter with a bit less fruit than the previous one.  There was a nice balance of acidity and minerals.  This would be a great aperitif wine.  I also would enjoy drinking it on a hot lazy summer day.

The Forrest Pinot Noir, Marlboro, 2010 was a very nice Pinot Noir with plenty of the blackberry and raspberry fruit I have come to expect from “new world” Pinot Noir but balanced with woods and earthy flavors.  I would like to taste this one again in a few years when it had time to mature a bit.  I think it would be even better.

Another winery whose entire range impressed me was Staet Landt Vineyard.  The standouts within the range were two Sauvignon Blanc’s and the nicest Riesling of the day.

They had two different vintages of their Staete Landt Annabel Sauvignon Blanc, Rapaura, Marlborough, the 2010 and the 2011.  If I had to explain what got people excited about New Zealand Sauvignon Blanc, I could hand them a glass of the 2011.  It had multiple layers of fruit.  At first I tasted the expected lemon and grapefruit flavors but quickly others joined in, including peach, apricot and pineapple.  It was all balanced with good acidity and a nice mineral finish.

The 2010 was also very good but rather different.  It had a much more creamy feel in the mouth and the flavors were a bit less upfront.  It still was clearly a Sauvignon Blanc, just a different take on it.  I could see this working very well where I might otherwise think to match food with a Chardonnay but wanted something different.

For the Staete Landt Dry Riesling, Rapaura, Marlborough, 2010, my first comment was “Wow!”  This was a rich complex wine with a beautiful balance.  I will seek out this wine.

I also wanted to mention the Hawkes Bay Chardonnay, 2011, from Distant Land Vintners.  It was definitely in the big fruit forward style that I think of as “new world”.  It is not a style I typically care for.  This one was very well done with balance and elegance.  At a suggested retail price of around $16 it put many more famous offerings in that style from California and Australia to shame.

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Wine For The Fortnight – Alfred Basely Champagne But NV

Lately there have been more and more different Champagnes showing up in the market.  This is a good thing.  Recently I had one I had not tasted before, Alfred Basely Champagne But NV.  I liked it a lot and at under $30 a bottle it is quite reasonably priced.  Alfred Basely is a smaller producer based near Epernay.  I couldn’t find out if the house grows all of their own grapes or buys some.  Information on the blend was not available but I suspect it is weighted on the Pinot Noir side.  The wine has a bit bigger body than that of most of the wines from the big houses with some fruit, lots of minerals and a bit of a citrus zip at the end.  It struck me as being a particularly food friendly Champagne.

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Wine for the Fortnight – Finca El Origen Gran Reserva Malbec, 2009

Last night some friends brought over one of the nicest Argentine Malbecs I have had in a while, and I like Malbec.  Finca El Origen Gran Reserva Malbec, 2009, had all the things I like about Malbec, lots of fruit and earthy flavors, tannins and a long finish.  It had none of the flaws that they can have, too much fruit, not enough acidity, over whelming alcohol.  This one was very well balanced with plenty of acidity to make it go very well with the lamb chops we were having.  I think it when better than the Cote Du Rhone I had chosen.  One of the great things about sharing wines with friends is that not only do you try wines you would not otherwise of tasted but they have good memories associated with them too.  Thanks Ian and Rita.

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“A Wine Collector’s Dream House” – A Rant

An article in the April 2012, edition of Food & Wine magazine got my blood pressure up.  At first I was going to try and ignore it.  Then I thought, “Why not write about it?”  So here goes:  The article titled “A Wine Collector’s Dream House” (http://www.foodandwine.com/articles/home-design-ideas-a-wine-collectors-dream-house) starts with the quote “If wine is something you enjoy so much, why put it in the basement?”  The quote is from an architect Paul Masi.   For a “wine collecting” client, he designed a 1,000 bottle wine storage unit that is set at a house’s entryway.  At least one wall of the unit is glass and it is backlit.

So what got my blood pressure up about that?  Well first people keep wine in a cellar because that is where it is safest.  One thing that is important for long term storage of wine is protection from light.  Light causes photo-chemical reactions with the organic compounds in wine.  You don’t want to drink wine after that has happened to it.  Not only that, since wine bottles are glass, they can magnify the heat effects of light, the greenhouse effect.  Even with temperature control, individual bottles can get cooked.  Cellars tend to be dark.  It’s that easy.

So an architect got carried away, what is the big deal?  Well Food & Wine is supposed to be for people who like wine.  The people who write for it and edit it are supposed to know something about wine.  They should not be showcasing a design that gets something this basic wrong.

There is more though.  This architect, presumably following his client’s interests designed something that makes wine about money and showing off how much his client has.  How much could his wine collector client know or appreciate the wine in his collection when he is willing to let 100 or so of his bottles be ruined?  It certainly didn’t make me think I would like to sit down and enjoy a glass with him/her.

I have an ego.  I am not above showing off.  But when I want to show off with wine I do it by picking a good wine that I think the people I am sharing it with will enjoy.  So here we go, my credo on wine.  Wine is not about money, or class, or being one of a select group.  Wine is about enjoyment.  Enjoy!

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Wine For the Fortnight – Castelvero, Cortese Piemonte, 2010

Sorry that it has been so much more than a fortnight.  Life has been intruding way too much on my wine drinking and writing.  This post’s wine is about a lesser known white from the Piedmont region of Italy (Piemonte in Italian).  Cortese is the grape used in making Gavi.  What little attention paid to Cortese in the wine press usually goes to Gavi, a wine from south-western Piedmont.  I don’t know why.  Most Gavi is thin, with little flavor and overly acidic.  But don’t write of the variety based on that.  Other parts of Piedmont are doing some good things with the grape.

I first became aware of this when I tasted a very nice one at Castino Luigi in Piedmont a few years ago.  Unfortunately the very good wines from this maker are hard to find in the US.  They did make me keep an eye out for other Cortese though.  Yesterday I drank a nice one from Castevero, made in the Monferato in central Piedmont.

Castelvero, Cortese Piemonte, 2010 is a nice wine at a nice price.  My bottle cost $12 US.  Cortese is not a very aromatic variety but this wine had some aromas of apples and grapefruit.  Those things were in the flavor too but what impressed me was the mineral flavor, almost like a good Chablis.  It had a decent finish and was very well balanced with none of the searing acidity that is all too common in Gavi.  If you wanted a comparison, it was like a New Zealand Sauvignon Blanc but with more minerals and less of the citrus flavor they typically have.

It went well with the shrimp dish I had making me think it would work well with most seafood.  I would enjoy trying it with a fresh goat’s milk cheese too.

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Put A Cork In It

The subject of real corks versus other bottle closures is a controversial one.  I won’t get into all the areas of disagreement in this post but I did want to address one, corked wines.  I recently was in a wine bar in Los Angeles and overheard the waiter tell some customers that the reason some wineries are using alternatives to corks such as screw caps and plastic stoppers is that 5% of wines closed with a cork will become corked.  This is not the first time I have heard that claim.

A corked wine is a wine that tastes bad due to a mold infection in the cork.  Some people describe it as tasting like wet cardboard.  To me it tastes and smells like cork.  I have had corked wines but I have to say that the incidence is way under 5%, probably under 1%.

I can come up with two explanations for that. 1) The number just isn’t right; or 2) The producers of the wines I drink take care in their cork selection.  Just a quick note:  a significant portion of the wines I drink cost under $25 a bottle.  It is a very special occasion for me to drink one that costs over $75 at the time of purchase.  So it is not the cost that makes the difference.

The truth may be a combination of the two explanations and I have some thoughts on the first factor.  As stated above, a corked wine is one that has been closed with an infected cork.  Not all bad wines are corked.  Not even all wines with bad corks are corked.  Most of the bad bottles of wine I have had were not corked but improperly stored or shipped.  If a wine bottle is not kept near horizontal to keep the cork moist, the cork will eventually dry out and all kinds of bad things can happen to the wine.  If the cork also deteriorates, as can happen, people blame the bad wine on the cork and call it “corked”.

So if your wine tastes cooked, oxidized, like pickle juice, or anything other than like cardboard or cork, don’t say your wine is corked.  Instead it is time to look for a better place to buy your wine.

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Wine Basics – Champagne

Champagne is many people’s default celebration wine, making it one of the most popular wines in the world.  It is also one of the most misunderstood.

Let’s get something out of the way at the beginning.  If it’s not from the Champagne region of France, it’s not Champagne.  Champagne is a sparkling wine made in the region of the same name in north-eastern France.  There are three grape varieties allowed in Champagne, two red (Pinot Noir and Pinot Meunnier) and one white (Chardonnay).  Most are made with a blend of all three but some, called blanc d blanc are made with Chardonnay only.  Blanc d noir wines are made with one or both of the red varieties.  Rose Champagnes are most often made by allowing the juice from the red grapes to sit on the skins for a short time and gain some color.  I have been told that some houses vinify a red wine and blend it but I cannot confirm this.

Champagnes can be classified according to how dry they are with extra brut being the driest followed by brut, extra dry, dry and demi sec.  At one time fully sweet Champagnes were popular but now tastes tend to the dryer ones.  Also, be aware that the dryness designations are not official.  They are used by the makers and one house’s brut can be less dry than another’s extra dry.

A third way of dividing Champagnes is into vintage and non-vintage.  A vintage Champagne is made entirely of grapes grown in one year.  Many Champagne houses only make vintage wines in years they consider particularly good.  Vintage Champagnes are meant to show the different characteristics of the year they are made.  In this they are very different from the non-vintage wines.  Non-vintage or NV wines are blended from more than one year with the goal of making a wine that tastes the same from one bottle to the next year after year.  This is no easy task when you are dealing with wine which naturally varies by year.

There are a few other things to consider.  One is premier cuvee wines.  There are not any particular requirements for a premier cuvee.  It is simply the wine that the Champagne house considers its best.  Many, such as Dom Perignion are vintage wines.  Some are not.  They all carry a premier price tag.

A final note on growers’ Champagne;. most Champagne houses buy at least some of their grapes from others.  If all of the grapes in a given wine were grown by the maker, you have a grower’s Champagne.  Most growers’ Champagnes are made by smaller makers.  They can be less consistent than the NV wines from the big houses but they can be very characterful and interesting.  Cheers.

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Spam

Hi folks, we have been getting hit with a lot of spam. Please say something specific about the post you are commenting on.  I don’t want to lump real comments in with the spam when I review them.  Thanks.

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An Apology

Sorry there has not been new content up recently.  I am in the middle of moving.  I should have something soon.  Thanks to all who visit for their interest.

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Wine for the Fortnight – Kuentz-Bas 2009 Riesling from Alsace

Well it has been more like a month than a fortnight since my last wine review.  The pressures of the holidays and some personal things have left little time for writing.  Luckily, I still have had time to drink some wine.  This post is about an Alsatian Riesling that I purchased to go with our Christmas dinner.

Several years ago we started the tradition of having a roast goose with sauerkraut and various side dishes for Christmas dinner.  While it is a lot of work, it tastes great.  It does, however, present a few issues when it comes to selecting wine.  Being a Burgundy lover, a full flavored somewhat gamey dish like roast goose would have me running for a wine from the Cote Nuit or another full flavored Pinot Noir based wine.  The problem is that sauerkraut is not a good match for these wines.

Instead I turn to the white wines of Alsace.  Alsace is a region in northeastern France that borders on Germany.  Over the centuries Alsace was a battleground between Germany and France and control over the region passed back and forth between them.  The resulting culture has taken liberally from both French and German influences.  They make some wonderful and unique wines too.

I chose this wine a bit differently than I might normally.  I had never heard of the producer and I did not have a chance to taste it beforehand.  I did know the importer, Kermit Lynch, though.  In my experience he is one of the best importers out there, particularly in the lower price ranges.  This wine was priced at $15.99.

So how was it?  Well it was really nice and worked very well with the food.  The wine had what I think of as typical young Riesling aromas of flowers and a bit of honey.  It was dry with very little residual sugar and plenty of acidity to help cut through the fattiness of the meal.  The alcohol content was 12.5%, which I think was ideal.  While I don’t think this one would age well, (some Rieslings can age for decades) I would expect it to be good for at least another three years.

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